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Ingrid Monson

Quincy Jones Professor of African-American Music, supported by the Time Warner Endowment, and Professor of African and African American Studies

Director of Undergraduate Studies; Mather House SCR Associate Member

Contact Information
Office:
Phone:
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Email:
Music Building 202S
(617) 495-2791
(617) 496-8081
imonson@fas.harvard.edu
Address:
University Hall
1 Harvard Yard 2 North
Cambridge, MA 02138

Websites: Ingrid Monson

Ingrid Monson is Quincy Jones Professor of African American music, supported by the Time Warner Endowment, and Interim Dean of Arts and Humanities at Harvard University.  She is a former chair of the Music Department, a Guggenheim fellow, and a Walter Channing Cabot Fellow of Harvard University.  Monson is the author of Freedom Sounds: Civil Rights Call Out to Jazz and Africa (Oxford University Press, 2007), Saying Something: Jazz Improvisation and Interaction (Chicago: University of Chicago Press, 1996), and an edited a volume entitled the African Diaspora: A Musical Perspective (Garland/Routledge 2000).  Her article, “Hearing, Seeing, and Perceptual Agency” (Critical Inquiry 2008) explores the implications of work on cognition and perception for poststructural theoretical issues in the humanities. She is currently working on a book about Malian balafonist Neba Solo.  Her articles have appeared in Ethnomusicology, Critical Inquiry, Journal of the American Musicological Society, Black Music Research Journal, Women and Music, and several edited volumes.  She began her career as a trumpet player and has recently been studying contemporary Senufo balafon.

Professor Monson specializes in jazz, African American music, and music of the African diaspora. She is author of Saying Something: Jazz Improvisation and Interaction (1996) winner of the Sonneck Society's Irving Lowens award for the best book published on American music in 1996. Her most recent work is on Freedom Sounds: Jazz, Civil Rights, and Africa, 1950-1967, (2005). She is also editor of The African Diaspora: A Musical Perspective (2000). This collection of essays presents musical case studies from various regions of the African diaspora that engage with the broader interdisciplinary discussions about race, gender, politics, nationalism, and music. Contributors include Akin Euba, Veit Erlmann, Eric Charry, Lucy Durán, Jerome Harris, Travis Jackson, Gage Averill, and Julian Gerstin.

Professor Monson earned her Ph.D. and M.A. in Musicology from New York University, her B.M. from New England Conservatory of Music, and her B.A. from the University of Wisconsin-Madison in Economics.